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Month: February 2022

THE TIMELIEST OPERA OF THEM ALL

THE TIMELIEST OPERA OF THEM ALL

Though in a huge setting, it was a very intimate contemporary opera, with front-row patrons close enough to turn pages for the conductor. And the dark of the tall edifice only intensified the uneasiness of little Sophia escaping for her life in the scary woods which may or may not harbor ghosts and goblins galore. This is “Sophia’s Forest.” If reminiscent of the spiritual inquietude of old  works like “Hansel und Gretel,” “Turn of the Screw” and “Transfigured Night,” it’s…

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NEW BALLET: NOVEL AND NIMBLE BOTS?

NEW BALLET: NOVEL AND NIMBLE BOTS?

The new ballet “Blake Works I” appeals most strongly to those in teens and twenties. Its James Blake songs are stripped down and quirky, and the moves are in very modern ballet, with a lot of hip wiggling and squiggling rarely encountered at the San Francisco Ballet. To say nothing of marionette-like parading. But this opus is far more, with the angular, novel and nimble nonstop of hands and arms, as fast as the eye can follow and sometimes knotted…

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AFTER TWO YEARS, CATHARSIS

AFTER TWO YEARS, CATHARSIS

In the elite world of art song, mezzo Sasha Cooke comes closest today to wearing the mantle of the late East Bay singer Lorraine Hunt, who had left us indelible musical memories. Cooke’s evening recital Sunday achieved multiple goals with reflections on two years of nationwide pandemic disruptions. She mastered (and memorized) an unprecedented array of 17 world-premiere songs written for the occasion by as many composers, using texts and poems suited to the theme. And for those listening on…

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