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Month: June 2019

Large theater thwarts intimate baroque

Large theater thwarts intimate baroque

A lesser-known baroque opera took over the S.F. Opera Sunday, offering first-rate stage direction and conducting while falling short of vocal expectations. Handel’s “Orlando” (1733) is a fictional love story inspired by Charlemagne’s eighth-century military leader Roland, one that took 238 years to reach US shores. It had ridden high during London’s craze for Italian opera, though its modest dimensions don’t fit expansively into the huge Opera House. This intimate chamber opera boasts a string orchestra and cast of five,…

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Troupe Making Silk Purse from Sow’s Ear

Troupe Making Silk Purse from Sow’s Ear

The miracle of West Bay Opera is not just that they pulled off yet another highly professional show in Verdi’s “Falstaff;” it’s what they do bringing that tiny community theater never built for opera so vibrantly to life. Consider that you have no overhead space for flying scenery, no prompter’s box, very limited stage depth, a pit that can’t even seat half a Verdi orchestra, and space even tighter than Falstaff’s drinking buddies usually are. The conditions would be enough…

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UNIQUE TROUPE’S FEARLESS ‘ACROBALLET’

UNIQUE TROUPE’S FEARLESS ‘ACROBALLET’

BERKELEY—Is this a ballet company on speed? Or, much more likely, a dance troupe in a new genre best called Acroballet. Whatever the name, the Eifman Ballet from St. Petersburg Russia is a unique fireball of frenzy, playing out Boris Eifman’s “The Pygmalion Effect” dance drama in a three-day run here. Half of the 80-member cast traveled with this full staged work, dazzling the audience with faster-than-the-eye moves. I hope they brought their own chiropractor, as my neck is sore…

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