Browsed by
Month: May 2018

MAHLER’S SYMPHONIC FAREWELL TO US ALL

MAHLER’S SYMPHONIC FAREWELL TO US ALL

ROHNERT PARK, CA—After 12 years, the Santa Rosa Symphony is bidding au revoir, or perhaps adieu, to Music Director Bruno Ferrandis. Never one to skimp on challenges, the French conductor programmed the fiendishly difficult 81-minute Mahler Ninth Symphony—an apt adieu for the composer himself—along with a contemporary concerto. In this go-round of the  Ninth of 1910,  for all but the first movement I’d give glowing reviews. The rustic country dance of the second movement went spiritedly, rowdy enough to contrast…

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12 BALLET WORLD PREMIERES: AND NO STUMBLES

12 BALLET WORLD PREMIERES: AND NO STUMBLES

What a way to end a ballet season! By any conventional measure, the 12 world premieres within a month unreeled by the San Francisco Ballet in its “Unbound” Festival were a cheeky challenge and a collective success. Though costly, time-consuming and for performers undeniably fatiguing, the final   ticket income was well above budget, with near sellouts at the Opera House prevailing for programs like the “Björk Ballet.” Undeniably it showed off the creativity of youngish choreographers (48 or younger, mostly)…

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BJÖRK, AND OTHER NEW BALLETS

BJÖRK, AND OTHER NEW BALLETS

The Opera House doors flew open this week  for the throngs converging on the “Unbound D” program of world premieres. They were no doubt swelled by pop music fans anxious to savor the “Björk Ballet,” named after the mercurial pop singer featured on the sound track. But the flamboyant “Björk Ballet” by Arthur Pita had a double appeal: It is as futuristic as a Star-Trekky sci-fi special. The Marco Morante designs alone, with bizarre masks and costumes composed of little…

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