Browsed by
Month: September 2017

MTT Pays Cool Tribute to Bernstein

MTT Pays Cool Tribute to Bernstein

His Prolific Mentor’s Centennial Michael Tilson Thomas showed incredible composure leading a program of music by his longtime mentor, Leonard Bernstein, commemorating the latter’s 100th birthday. When many lesser conductors might have melted completely with the first bars, MTT kept at it, dry-eyed, even in pieces where he had shared duo-piano duties with Bernstein himself, just a couple of years before the latter’s death in 1990. Spanning five decades of Bernstein’s creative life, the works included two of his most…

Read More Read More

VIOLINIST-LEADER BRINGS NEW SPIRIT TO NEW CENTURY

VIOLINIST-LEADER BRINGS NEW SPIRIT TO NEW CENTURY

Daniel Hope’s Right Shoulder Provides the Downbeat The return of violinist Daniel Hope is one of the happiest events of the 2017 Bay Area music scene. If there was any doubt about his musical eloquence, the English maestro led the ensemble in an inspired rendition of the Tchaikovsky “Serenade for Strings” in the Sept. 21 season opener for the New Century Chamber Orchestra. The serenade itself of course is one of the most inspired pieces ever to come out of Russia:…

Read More Read More

THE HUMAN SIDE OF THE MILITARY LIFE

THE HUMAN SIDE OF THE MILITARY LIFE

The Chanticleer singers went out of their normal orbit with their “Heart of a Soldier” program which opened here Sept. 16. Best known for their sacred and early music, this time the dazzling dozen turned toward the uniformed services—not dwelling on the tragedies of wartime and carnage so much as on human elements like separation and courage, plus some inevitable, timeless rallying cries. The program is far more a reflection than a recruitment poster, with some Scriptural texts embedded as well.

THE YO-YO SHOW AT THE SYMPHONY-YO

THE YO-YO SHOW AT THE SYMPHONY-YO

Gala symphony-season openings have less to do with music than with entertainment, revelry, and a fashion show. But the infinitely gregarious cellist Yo-Yo Ma did his utmost to carry off the music at the San Francisco Symphony opener, illuminating with his unique persona not one but two works each running about 20 minutes, neither of them a true concerto. He deserved more than the half-minute ovations that turned off abruptly as the festive audience in formals reverted to selfies, animated conversation and exits toward the dance floor.