'REBORNING:' AN INTIMATE DOLL-MAKER'S TALE
                            Laced with Surprises 

                                              By Carol Benet
        artssf.com, the independent observer of San Francisco Bay Area theater
                                                                 Weeks starting May 13, 2011
                                                                 Vol. 13, No. 96

         ReBorning is a quirky play that plumbs the depth of human despair as well as renewal, effectively spun by a cast of just three.                 The tiny SFPlayhouse, just two blocks from Union Square, is making quite a name for itself with its fine productions.  Zayd Dohrn’s drama  is its current show; in every way, it feels like Off Broadway or London’s fringe theater. 
            The three actors and technical staff are so adept that director Josh Costello and the assorted colleagues warrant kudos.  

            ReBorning  is a strange play about a mother who has lost her baby, a doll maker who has lost her mother, and a go-between, the boyfriend. The three come together in a bizarre way meeting several times in the workshop/small apartment of Kelly (Lauren English) and Daizy (Alexander Alioto). 

            Kelly is an artist who crafts dolls that look and feel human.  Emily (Lorri Holt) visits her studio/apartment several times to check on the doll she has ordered and that Kelly is fashioning after pictures and videos of the baby.  The boyfriend Daizy is also an art school product, but now makes a living by creating realistic dildos.   When he enters wearing one just to show Kelly his latest work Emily is there for her first visit.  There is much humor in this vacillating play. 

            The sadness runs deeper when Kelly explains that she was abandoned and almost killed by her parents who left her to die.  She was adopted by a wealthy family in Connecticut, and went to the right schools. But she lives with a reccurring depression.
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            The story of the two women and their needs becomes very intricate.  The baby doll serves as a center of their attention and a means for revelation, in the surprise twists of the story.

            With the program book came a disclaimer saying that the title and subject of ReBorning has nothing to do with the real art form carrying the same name.  There is a group of doll makers whose works are so perfect that they call it Reborning.  They are even hosting a convention (OOAK Doll Competition) with workshops in Walnut Creek (hunnybunmama@gmail.com) on June 3-5, 2011.

            In the play the reborning is a process of working through painful memories of the past with the doll that represents a lost baby.  But, strangely  the play is not maudlin.  It is, in fact, so effective that this world premiere will surely spawn other venues for it.

            Only 34, playwright Sayd Dohrn has won many accolades.  An added bit of fame for him is that he is the son of infamous Weather Underground leaders Bill Ayers and Bernadine Dohrn.  His own childhood with his mother in prison was as unusual as was Kelly’s in the play. You will hear more of Dohrn; he is an emerging star in the world of theater with his earlier plays, and this new one can only add to his luster.
 
            ReBorning at the SFPlayhouse runs through June 11.  The theater is at 533 Sutter, San Francisco. For info:  415 677 9596 or go online.  

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        © Carol Benet 2011
        Carol Benet is a regular theater reviewer for artssf.com.
    These critiques appearing weekly (or sometimes semi-weekly, but never weakly)focus on theater, dance and new musical creativity in performance, with forays into recordings by local artists, and a few departures into books (by authors of the region)as well.
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