A FEAST FOR FOODIES AT THEATRE ARTAUD
By Carol Benet
artssf.com, the independent observer of San Francisco Bay Area theater
Weeks starting Jan. 18, 2012
Vol.
14, No. 39
The wonderful show “Food Stories” features a
comedy with the chef’s
worst nightmare: working in a restaurant where everything goes
wrong, precisely
when the leading food critic comes in to eat.
It’s a new
play by Word for Word, the troupe that has been
producing written stories, verbatim, on the stage here for almost 20
years. Here
two short stories are acted out, word-for-word.
The stories will entertain while also making fun of foodies,
people who
live for gustatory surprise and excellence.
Since there
are many foodies in the Bay Area, the stories are
timely. I love to eavesdrop on the
foodies seated near me at restaurants.
Their discussions with the waiters about the “specials” and with
their
companions are moments of intense high drama and they could be
mini-theatrical
moments by themselves, especially when the food is served and they
carefully
consume their dishes -- often shared between them.
“Food
Stories” makes fun of this culture, the first play
especially. “Sorry Fugu” takes place in the
kitchen of a popular and
well-appointed restaurant. There is no
lack of chrome here. The chef is a real
“artiste.” So too is his head waiter, who swishes in and out of the
swinging
door
to the dining room while he presents the plates to the
customers.
The
complication of plot, as in classic drama, happens when the
acerbic and mean-spirited Willa Frank is coming with her beer-guzzling
boyfriend, and neither of them like their food.
Willa Frank is the food critic of the most important newspaper
in town.
The chef is distraught because, as everyone knows, a bad review can
kill a
restaurant.
So amidst all
the chaos of a dishwasher who quits, a cleaner who
doesn’t come, French cream that goes sour and other day-to-day problems
in
running a restaurant, the chef comes up with an idea.
He’ll make a down-home meal for the beer-swilling
boyfriend -- potatoes, gravy,
discounted canned peas and so on.
In between all
the verbal and stage business, the kitchen staff
dances to popular songs --tangos, Irish melodies, operatic arias --
when the script
mentions something relevant to the songs.
When they think of making a potato dish, they do an Irish step
dance; a
salsa brings on a tango. It is
simply
hysterical to follow them through the play.
Every minute is a delight.
“Sorry Fugu”
was written by T.C. Boyle, that over-the-top L.A. type who wrote “The
Road to Wellville,” a spoof on John Harvey Kellogg, founder of the
cereal
company, and “Tortilla Curtain,” just to mention two of his funniest
novels.
The second
play by Alice McDermott, “Enough,” is more
serious, a touching story about aging. It
is about an older and younger woman and an
ensemble that comes and goes. The older
woman eats lots of ice-cream from the fridge and is beginning to lose
it
mentally.
John Fisher
directs the two plays smartly. He is the
wunderkind who grew up in Ross,
went to UC Berkeley where he received a Ph.D. in Theater Arts. He has been producing plays here and all
around the country and has taught at UC and the Yale School of Drama. He served as the Artistic Director of Theatre
Rhinoceros in San Francisco. Fisher stages some of the best comedies in
the Bay Area.
Since the
actors work as an ensemble, taking many parts and even
preparing the set changes, it is difficult to single any one out for
praise. It is sufficient to say that
they are all excellent.
“Food Stories”
by Word for Word is produced by the Z Space, a
non-profit organization that fosters new theater. The
productions are held at their home base,
Theatre Artaud.
“Food
Stories” by the Word for Word troupe, two one-acters about
foodies. Theatre Artaud, 450
Florida Street, San Francisco.
Performances through February 5. For info: (800) 838 3006, or go online.
#
© Carol Benet 2012
Carol Benet is a regular theater reviewer for artssf.com.
These critiques appearing weekly (or sometimes semi-weekly, but never
weakly)focus
on theater, dance and new musical creativity in performance, with
forays
into recordings by local artists, and a few departures into books (by
authors
of the region)as well.
#
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