JOHN MUIR: AN ODYSSEY, A PILGRIMAGE
By J. Charles
artssf.com, the independent observer of Northern California books
Week of March 17-24, 2008
Vol. 11, No. 78
When
John Muir
set off on his first long walk into the wilderness, he carried with him
four
texts: the poems of Robert Burns, the New Testament,
Paradise Lost, and a thick book on
botany. These, along with some personal
items (one change of underwear), a homemade plant press, a notebook,
and some
money, made up his entire equipment list for a foot journey of a
thousand
miles. Such an image,
vividly presented to us in Donald Worster's A Passion for
Nature, The
Life of John Muir, is the one that
pops up whenever one thinks of the patron saint of Yosemite. Here is
the wiry, impossibly energetic
enthusiast for the Sierra Nevada and
the
simple life, ready to run up mountains and sleep under giant sequoias. But Worster reminds us that the real Muir
was a more complex product of familial
and cultural influences common to many nineteenth-century Americans. How they came together to form this
extraordinary man is the most interesting theme of Worster's engrossing
biography.
Muir is
twenty-nine when he begins this journey.
He is not a mountaineer and he has not yet thought seriously of California,
although he has read a bit about Yosemite. Instead, he is off to South America, walking
from his midwestern home to Florida, then hopping a timber schooner to Cuba,
always
dreaming of botanising in rain forests.
But Nature, in the form of malaria, soon convinced him that the
tropics
were not for him, and, while sweltering in Cuba,
he happened upon a New York newspaper
advertising cheap transportation to California. Back
he hopped to New York, where he found
a ship to Panama,
a second-class seat on the Panama Railroad, and the steamer "Nebraska," bound for San Francisco. Here,
healthy again, full of energy and ever
optimistic, he found his calling.
Optmism, writes
Worster, was an important element in Muir's character.
Worster is particularly good at tracing the
intellectual and cultural forces which formed Muir's view of the world. The books he carried on that first journey
were emblematic. Having immigrated from Scotland
with
his family, Muir had a strong religious
background. His father (who ended his
days as a poor lay-preacher) made sure that the Bible and the church
loomed
large in the lives of all his eight children.
Muir eventually turned away from
organized religion, but the teachings of Scots fundamentalism stayed
with him,
forming his independent, highly ethical way of thinking.
Superimposed on this were the influences of
the romantic movement. Muir read
Wordsworth and Burns and drank in their love of nature and the simple
life.
Combined with
this romantic world view was enthusiasm for the natural sciences. Darwin's
writings were
still new, and biology, geology and botany were flourishing fields. Muir, because of his own reading and his
education at the University
of Wisconsin, was
well
versed in the latest theories. And
finally, writes Worster, Muir was influenced by American
transcendentalist
thought. He once visited Yosemite with
Emerson (who disappointed him by
refusing to sleep on the ground under the trees), and, later in his
life, he
visited Walden pond. All of these
influences
merged with the
essential American desire to cut ties and
move west. Muir got to California and
found his life's work.
Success in this
work did not come quickly. Muir spent
some time in Yosemite working in a
sawmill and
herding sheep. He wrote occasional
articles and gained some fame, but he still was unsure about making a living. Then
he got lucky. Worster portrays Muir as a
charismatic,
charming man whom everyone liked. He was
particularly popular with women, although he avoided romance. When he was thirty-six, one of his women
friends decided that he should marry, and she arranged a meeting with
the
family of Louie Strenzel. Louie was,
indeed, the ideal wife for him. The only
child of a wealthy landowner, with extensive vinyards and orchards in
the
vicinity of Martinez,
she married him, bore him two daughters, and tended the home farm while
he
travelled the world.
Muir's career
flourished. He became the father of the
conservation movement, spoke eloquently for the establishment of
national
parks, and was an early supporter of the Sierra Club.
He got to know influential people, from
Theodore Roosevelt to railway magnet Edward Harriman, and he had strong
supporters in academia, from the University of California
to
MIT. Part of Muir's genius was that he
could fit into almost any milieu. It
is
hard to imagine him in an evening suit, gracing the tables of the
mega-rich,
drinking wine and smoking cigars, but he spent many evenings in his
later life
like this, as he travelled the world. It
helped that conservationism was popular; Muir must have been a sort of
radical-chic
icon. But he also was
enthusiastic, tolerant, and not
particularly political. He was happy
singing the praises of nature to
whoever would listen.
Perhaps it was
his lack of political shrewdness that led to the one great defeat in
his life: the
struggle over Hetch Hetchy. Worster
tells this story particularly well. When
it came to battling the monied interests in San Francisco--people committed to
growth and
progress and not impressed by
sentimental tree-huggers--Muir lost. He
was an old man by then, and he never again had the power of his middle
age,
although he remained a popular figure.
An essentially nineteenth-century man, he was out of step with
the
twentieth, and his death was sad.
Worster is lauded
on the back cover of his book as a fine environmental historian. He lives up to that praise in this book, but
shows that his talents go beyond chronicling the advance of
conservationism. His book has an
important place in the history of ideas and the history of Northern California. It
is a fine
account of an inspirational life. Even
if you don't carry it on your next thousand-mile walk, it will valuably
fill
many quiet hours at home.
"A Passion for Nature: The Life of
John Muir," by
Donald Worster,
< style="color: rgb(51, 51, 153);">2008: Oxford University Press, 533 pages,
$34.95
©J. Charles 2009
#
J. Charles is a book-review contributor to www.artssf.com.
These critiques appearing weekly (or sometimes semi-weekly, but never
weakly)focus
on book reviews (by authors of the region), plus theater, dance and new
musical creativity in performance, with forays into recordings by local
artists as well.
#
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