A
GEM OF A BOOK ABOUT DELTA MAGIC
By J. Charles
artssf.com, the independent observer of Northern California books
Weeks starting June 29, 2009
Vol. 11, No. 35
The Chinese have
lived in the Sacramento River delta since the 1860's.
They first came to build the levees, and they
stayed to work on farms and in orchards.
After a catastrophic fire in the Chinese section of Walnut Grove
in
1915, some of them founded the town of Locke.
Locke was an entirely Chinese town, built on leased land because
Chinese
couldn't be landowners. It had a mostly
male population because immigration laws strictly controlled the
entrance of
wives and families.
Locke, tiny but rich in
history, is the
setting for Berkeley-based Shawna Yang Ryan's fine debut novel, Water
Ghosts. The time is 1928, when
the
town is young and flourishing.
The long list
of characters which Ryan helpfully
provides gives a hint of the motley population of this
novel.
Even the minor players, some of whom never make it to Locke, are
colorful:
a New York jazz singer; a murderer who's a butcher by trade; gamblers
and
bootleggers. But the story centers on
three complex women. Corlissa Lee,
banished from her family because of her interracial marriage, is the
only white
woman in Locke who is not a prostitute.
Chloe Howell, lost to her disfunctional Sacramento family, is a
young
white woman who is a prostitute.
Poppy See, shipped off from China to America for a marriage
which never
materialized, runs the local brothel and copes with the dubious gift of
second
sight.
No less
intriguing are the men in town, although, unfortunately, Ryan develops
their
characters less thoroughly. Richard
Fong, Poppy's erstwhile lover and Chloe's unofficial keeper, manages a gambling hall.
Corlissa's husband Howar Lee is a Christian
minister.
To this little
town come three more women who will turn it upside down.
These are the mysterious boat women, washed
up on the river shore the day of the Dragon Boat Festival, exhausted
and
foul-smelling from their journey from China.
One of them is Richard's wife whom he left behind ten years ago. The other two have less clear reasons for
their long journey. But perhaps, as some
Locke residents believe, the three are
not what they seem. They may be water ghosts, the spirits of the drowned,
seeking victims whose stolen lives will return them to the living world.
Or perhaps
not. Late in the story, a wise old man
says, "There are no ghosts. There
is no such thing, little Poppy. No
ghosts -- only our regrets."
Ghosts or not,
what the boat women do, in an inexplicable way,
is to reveal the regrets of Locke.
Corlissa is growing old, dealing with a cooling marriage and a
rebellious daughter. Chloe has lost a
baby and drifted into a sordid life.
Poppy has lost her lover and can't control the events she
foresees.
Ryan skilfully
combines the stories of these people with California history and
Chinese folk
tales. The novel is complex, moving
forward and back in time, in and out of reality. Perhaps
it is a sign of her skill, and the dense
population of her
novel, that many characters seem to
deserve more time than Ryan can give.
This is particularly the case with the minister Howar Lee, but
even the
fifty-two men who court the boat women (females are scarce in Locke)
capture
our interest. There are no boring people
in this town.
The Sacramento
Delta provides a perfect setting for this novel. Its
heat and humidity and the sudden river
mists are the right backdrop for such a
mysterious story. And the hard, sweaty work required of everyone is an
apt
metaphor for the trials of immigrant
life.
A good story, an
interesting piece of history, a compelling setting.
This book is a gem. Read it slowly
and savor the skill of a
writer who can produce it so early in her career. Then
wait eagerly for Shawna Yang Ryan's next
novel.
Water
Ghosts, a book by Shawna Yang Ryan. The Penguin
Press, 234 pp., $22.95.
©J. Charles 2009
#
J. Charles is a book-review contributor to www.artssf.com.
These critiques appearing weekly (or sometimes semi-weekly, but never
weakly)focus
on book reviews (by authors of the region), plus theater, dance and new
musical creativity in performance, with forays into recordings by local
artists as well.
#
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