VISUAL SPLENDOR AT BERKELEY REP
                           (But Hopelessly Convoluted) 

                                              By Carol Benet
        artssf.com, the independent observer of San Francisco Bay Area theater
                                                                 Weeks starting March 18, 2010
                                                                 Vol. 12, No. 80
         BERKELEY---Naomi Adzuki’s world-premiere Concerning Strange Devices from the Distant West at Berkeley Rep is a bonanza of beauty with an intriguing story.  The strange device of the title is the camera that came to Japan in the 1880s. It allowed  the capture of a brand new reality, one that is fixed forever---But one that is able only to take pictures of part of that reality, thus creating multiple layers of truth.
            The story starts in the 19th century when a Westerner Isabel (Kate Eastwood Norris) enters a photography studio where the owner, Andrew Farsari (Bruce McKenzie) is taking pictures of a tattooed Japanese man named Hiro (Johnny Wu). 

            Soon the action flips to the 21st century at a bar with an American professor Dimitri (Bruce McKenzie), who is researching the 19th century photographer above, meets with his translator, a seductive Japanese woman (Teresa Avia Lim). Eventually we are back to the 19th century with the story of the original woman’s disappearance and the husband (Danny Wolohan), a gun dealer, solving the mystery for us.  The stories become so convoluted that later on you have to catch the many hints that unite them.

            What holds the play together is the magnificent staging with moving video images on screens that artistically work with the rest of the insets where live action takes place.  This is truly a visual splendor.

            Yes there are scenes reminiscent of the movie Lost in Translation and also of the latest production of Madame Butterfly at the San Francisco Opera.  Who cares if the playwright or the set designer (Mimi Lien) borrowed; they picked the best sources for their scenes and ideas.

            The video and production design by Leah Gelpe is so arresting and gorgeous, that to see this melding of live stage with technology it is worth the trip to the Berkeley Rep.  Alexander V. Nichols’ lighting design also makes the rest of the setting work.

            The Berkeley Repertory Theatre is one of the Bay Area’s treasures.  It offers season after season of plays both classical and innovative. 

            Concerning Strange Devices from the Distant West at the Berkeley Repertory Theatre, 2025 Addison, Berkeley,  runs through April 11.  Like most arts organizations, the Rep is offering more matinees, Thursday, Saturdays and Sundays.  (510) 647 2949 or go online.
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        © Carol Benet 2010
        Carol Benet is a regular theater reviewer for artssf.com.
    These critiques appearing weekly (or sometimes semi-weekly, but never weakly)focus on theater, dance and new musical creativity in performance, with forays into recordings by local artists, and a few departures into books (by authors of the region)as well.
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