ARTS COME ALIVE IN SAN FRANCISCO  BAY AREA!
                          Classical Music, Books, Theater, Dance
            The life of a zine is about a minute
                                                        ---San Francisco Chronicle headline.
            But clearly, they weren't talking about the arts-review 'zine artssf.com!

            Welcome to the  TWELFTH season of: www.artssf.com, the independent, non-commercial observer-critic of the arts, your best source in the San Francisco Bay Area for reviews.
            With weekly reviews on WHAT'S NEW on the arts scene: Modern music (non-commercial), premieres, theater reviews, dance, rarities, and new-book reviews involving Northern California authors or themes. At times, even a review or two from far-off lands. Also some  reports from the major symphonic, chamber and operatic concerts, all emphasizing new or modern creativity.
            Read the reviews first on artssf.com. Reports are compiled by veteran Bay Area critics Paul Hertelendy, D. Rane Danubian, Carol Benet, V.I. Hambleton, J. Charles, Georgia Rowe, Alix Schwartz, Karl Toepfer et al in a vast (?) staff of  a good (very good!) six-to-seven collaborators. Then there's our secret-weapon time machine: roving London critic Steven Emanuel, who scouts theater, thespians, books  and other themes in the British  bailiwick, anticipating hits that may cross the pond our way next year.
         The eleventh season had again featured more than 100 reviews in toto from the above contributors---126, to be exact. The Greater S.F. Bay Area remains a bellwether in new works and modern approaches, as stimulating as ever, fed by an audience thirsty for the fresh, novel and profound.
         CURRENT REVIEWS and news follow, starting with the most recent:
     -- (MUSIC) A retrospective concert for Berkeley composer Herbert Bielawa, 80---plus a world premiere.
     -- (SYMPHONY & CHORUS) A new orchestration of Ives' massive "Concord Sonata" makes waves and crashing surf out west.
     -- (THEATER) Shannon Koob's versatile solo stint in "The Syringa Tree," at Walnut Creek.
     -- (MUSIC) The resourceful violinist Midori does it all---education, performance, panels, and a spotlight on new music.
     -- (CHAMBER MUSIC) The intensity of sirocco wind propels a Viñao opus, stirring up Mozart and Dvorak.
     -- (OPERA) In "Wozzeck," is he the victim or the perpitrator? The touching drama of the outsider, in a new intimate treatment.
     -- (THEATER) Fugard peruses the South African drama of the AIDS epidemic; at Berkeley Rep.
         Earlier  reviews and interviews include:
     -- (NEW MUSIC) The influence of digital permeates the style of new compositions at the SFCMP.
     -- (BALLET) A local Walnut Creek troupe lights up the night in a busy dance week.
     -- (SYMPHONY)  Is wear and tear getting to Yo-Yo Ma, 54? Ma plays Shostakovich at the San Francisco Symphony.
     -- (BALLET) The pricey San Francisco Ballet gala---insanity, intensity, proficiency. And nuttiness in the lobby.
     -- (SYMPHONY)  San Francisco Symphony residency by the noted British composer George Benjamin, gutting out a rough start.
     -- (MUSIC) 2009 was not a great year, but a good one, for serious music in the Bay Area, chockablock with surprises.
      -- (BALLET) We all know about opening nights. But are last nights as good, as in the S.F. Ballet "Nutcracker?"
     -- (CHORUS) The sacred music of Christmas, in eight languages: nowhere better than at Chanticleer.
     -- (CHAMBER) Kronos Quartet for once delves into both nostalgia and novelty. And it was moving.
     -- (BALLET) Two Bay Area cities get creative, pool resources for one effective "Nutcracker."
    -- (THEATER) Alfred Hitchcock's oldie "39 Steps," revived with new chuckles.
     -- (THEATER) The War Between the States seen cheerfully, in Palo Alto's "Civil War Christmas."
     -- (SYMPHONY)  San Francisco's stimulating all-Viennese program, spanning from Beethoven  to Webern.
    -- (CHORUS) Is the vaunted Tallis Scholars' crown slipping a bit to the side? A Renaissance rollercoaster ride in Berkeley.
     -- (SYMPHONY) The ingratiating sounds of Steven Stucky, and Stravinsky adventures. At the Berkeley Symphony.
      -- (SYMPHONY) The elite of the elite, the Berlin Philharmonic, glows in its all-German program under Simon Rattle.
     -- (SYMPHONY) The renaissance of Western music in China is exemplified by the Shanghai Symphony, with Yuja Wang.
     -- (CHAMBER ORCHESTRA) Berkeley is a crucible of ideas and musical currents: Tuition protests, sports, Bolcom-Strauss.
     -- (SYMPHONY) The latest Russian fire-eating pianist, Nikita Abrosimov, 21, triumphs at Stanford as a concerto sub.
     -- (OPERA) The world premiere "Dark River" in a tiny Oakland venue ambitiously tackles a history of civil rights.
     -- (SYMPHONY) A cellist's late cancelation brings on many changes, many questions at the S.F. Symphony.
     -- (OPERA) Verdi's masterpiece "Otello," with the bigger-than-life tenor Johan Botha in the title role.

    -- (CHAMBER MUSIC) Even the floor vibrates with the fiery play of the Borealis String Quartet.
     -- (SYMPHONY) Rachmaninoff's popular Symphony No. 2 amd his cantata on Poe, "The Bells."
      -- (THEATER) David Mamet's "November:" a farcical look at a fictionalized White House.  Georgia Rowe reports.
     -- (NEW MUSIC) What's this? The chips accompany the guitar, and a watch ticks on Irish time.
     -- (THEATER) A new Kushner collection in Berkeley, still needing trims and edits.
     -- (DANCE) Alonso King's Lines Ballet with his new work, work, work, plus a Moroccan theme.
     -- (SYMPHONY)   With the style of a champion boxer, conductor Osmo Vänskä shows a surprising Nordic persona. 

      -- (SYMPHONY)  What doesn't Lorin Maazel do? He's conducting, composing, guesting. Report from Washington, D.C.
 
    -- (SYMPHONY) Poles apart geographically, a Brazilian orchestra  collaborates with  the British  superpercussionist Evelyn Glennie.
     -- (SYMPHONY) Under Joana Carneiro's baton wizardry, the Berkeley Symphony sounded like some elite Euro import.
     -- (CHAMBER/WORLD MUSIC) The Kronos Quartet, with 10 works from almost as many lands, and unseen cohorts.
      -- (S.F. SYMPHONY) A modern Australian gives a vivid, almost fiendish perspective of composer Carlo Gesualdo (1560-1613).
     -- (MUSIC) The S.F. Contemporary Music Players unveil a new song cycle by John Harbison, 71.
     -- (SYMPHONY) The symphony in Oakland tries out a revamped high-camp site, the Fox Theater, amplified.
 
    -- (THEATER) The hilarity of spouse-swapping in Aronson's new play, "First Day of School."
     -- (DANCE) A brilliant new Lincolnesque dance-theater piece from Bill T. Jones' company.
     -- (SYMPHONY) Mahler's Fifth, paired with Scelsi's unlikely "Hymnos" meditation.
     -- (THEATER) Noel Coward's classic love story, "Brief Encounter," with modern theater technology added.
     -- (CHORUS) Chanticleer keeps changing repertoire and personnel while maintaining its a cappella excellence.
     -- (SYMPHONY) Broken-field running, musicologically, in a skilful lecture-concert by MTT opens up insights on Gustav Mahler.
     -- (THEATER) Can Judas Iscariot make a comeback? A San Jose theater entertains the idea implausibly.
     -- (OPERA) Puccini's odd triptych "Il Trittico" scores with "Gianni Schicchi" at the S.F. Opera.
     -- (OPERA) The opera strikes out to the ballpark with "Il Trovatore"---and strikes out.
     -- (DANCE) Mark Morris' "V" is a stunner, in an otherwise uneven program given at Berkeley.
     -- (THEATER) "American Idiot," a rock band with theater, premiering at Berkeley Rep.
     -- (SYMPHONY) The S.F. Symphony's Mahler First explores freedoms unheard in ages, to immense acclaim.
     -- (THEATER) The poles of art and religion power a new play, My Name Is Asher Lev, in Marin County.
     -- (SYMPHONY) A so-so symphony gala is saved by the pianist Lang Lang from China, who loves every minute on stage.
     -- (DANCE) Take Courage---particularly their newest piece, "but you can't hide," brimming with vitality absent elsewhere.
     -- (CHAMBER ORCHESTRA) A new Charles Griffin dance suite almost bursts the walls at the San Jose Chamber Orchestra.
     -- (SYMPHONIC) Cabrillo finale: Neo-postromantic composers, out in force, and raising the roof.
   _-- (SYMPHONIC) Cabrillo's new-music orchestral fest scores with MacMillan, Lindberg, via Marin Alsop's baton.
     -- (THEATER) Dysfunctional can be entertaining, in Letts' Pulitzer play.
     -- (CHORUS) Donald McCullough's song cycle on Blake, premiered by the S.F. Choral Society. With Verdi added.
     -- (OPERA, SANTA FE) Passions as hot as the weather---the colonies had it all, as the arresting world premiere shows. 
     -- (CHAMBER MUSIC, SANTA FE) Neikrug's world premiere was leaning on a green statue.
     -- (BALLET, SANTA FE) Can a ballet have a foot in different states? Aspen and Santa Fe say YES.
     -- (CHAMBER MUSIC) A full moon, a bit of wine, and the "Kreutzer" Sonata---this were paradise enow.
     -- (CHAMBER MUSIC) Music@Menlo recitalists grapple with Brahms---but on different wavelengths.
     -- (THEATER) Yasmina Reza's intriguing play of dialogues and monologues, in tiny San Francisco venue.
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             LINKS TO SIMILAR SITES AROUND THE COUNTRY---A consortium of independent sites reviewing live performances around the country promises painless linkage and free surfing. Interested? Click here!
            Also, prominent West Coast entertainment writers have their own (rival!) web site now, featuring fresh columns on an almost-daily basis. Check out links.
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             Stay tuned for more every week!
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