ARTS COME ALIVE IN SAN
FRANCISCO BAY AREA!
Classical Music, Books, Theater, Dance
The life of a zine is about a minute
---San Francisco Chronicle headline.
But clearly, they weren't talking about the arts-review 'zine artsSF.com!
Welcome to the SEVENTEENTH
good-luck season underway at
www.artsSF.com, the independent, non-commercial observer-critic of
the arts, your best source in the San Francisco Bay Area for reviews.
With weekly reviews on WHAT'S NEW on the arts scene: Modern music (non-commercial), premieres, theater reviews, dance, rarities, and, at times, new-book reviews involving Northern California authors or themes. On occasion, even a review or two from far-off lands. Also some reports from the major symphonic, chamber and operatic concerts, all emphasizing new or modern creativity.
Read the reviews first on artssf.com. Reports are compiled by veteran Bay Area critics Paul Hertelendy, D. Rane Danubian, Carol Benet, V.I. Hambleton, J. Charles, Georgia Rowe, Alix Schwartz, Karl Toepfer et al in a vast (?) staff of good (very good!) collaborators. Then there's our secret-weapon time machine: roving critic Steven Emanuel, who scouts theater, thespians, books and other themes in varied bailiwicks, anticipating hits that may land in Northern California before long.
The 16th season had featured more than 100 reviews in toto from the above contributors---113, to be exact. The Greater S.F. Bay Area remains a bellwether in new works and modern approaches, as stimulating as ever, fed by an audience thirsty for the fresh, novel and profound. Most reviews appear within 24 hours after a performance..
CURRENT REVIEWS and news follow, starting with the most recent :
-- (SYMPHONY) Struggles with Brahms Violin Concerto: Ms. Mutter possibly indisposed. And those overachieving trumpets!
-- (SYMPHONY) Jake Heggie's formidable new song cycle on the sculptor Camille Claudel waxes operatic at Berkeley Symphony.
-- (BALLET) An amazingly bright exercise in darkness from a precocious new choreographer at the S.F. Ballet.
-- (NEW MUSIC) Hot and cold new music in Berkeley, capped by Ken Ueno's mini-concerto 'Zetsu.'
-- (THEATER) Turning tragedy into riotous comedy: "The Lyons" at Berkeley's Aurora.
-- (THEATER) Sam Shepard's 'A Lie of the Mind' revived at the Magic Theatre.
-- (OPERA) Dusted off, from the top shelf: Weiser's tragedy 'Where Angels Fear to Tread,' with a unique lapdog obbligato, in San Jose.
-- (RECITAL) Cellist Alisa Weilerstein goes solo, very solo, in a highly challenging program.
-- (OPERA) World-premiere "Lariat" peruses Mission conflicts of padres with Indians.
-- (THEATER) Tom Stoppard's "India Ink:" Is chattiness next to godliness?
-- (BALLET) Themes from Africa, Japan, Russia in versatile S.F. Ballet's new program.
-- (THEATER) At SF Playhouse, "Tree" struggles to bear fruit.
-- (NEW MUSIC) When is it experimental sounds, when is it music? Provocative issues raised in Berkeley concert.
-- (PIPE ORGAN) Paul Jacobs impresses with Messiaen's meaty late work for solo organ.
-- (SYMPHONY) A John Adams minimalist oldie paired with Stravinsky's imaginative tale "L'Histoire du Soldat." At SFS.
Earlier reviews include:
-- (CHAMBER MUSIC) The world premiere of Adams' Second Quartet has critics coming to Stanford from miles and miles away.
-- (CHAMBER MUSIC) Piano left hand only? Marimba-cello duels? Kohl Mansion avoids the predictable.
-- (CHAMBER ORCHESTRA) San Francisco's new SoundBox: A rainbox of offerings, drawing a new audience.
-- (CHORUS) No accompaniment, no leader, and still Chanticleer dazzles in long-running Christmas program.
-- (CHAMBER ORCHESTRA) In San Jose, the SJCO has a unique and innovative bent others might follow---if they dare!
-- (NEW MUSIC) Stunning vocals by Amy X Neuburg propel 10 premieres with Dresher's band.
-- (DANCE) There's nothing pedestrian about Jess Curtis & Gravity at intermission time.
-- (SYMPHONY) Women musicians at the forefront of the S.F. Symphony, from French horns up to the podium.
-- (DANCE) Smuin's "Christmas Ballet" is renewed and vigorous, even in November.
-- (CHAMBER MUSIC) Three centuries of engrossing string quartets in one vibrant concert.
-- (THEATER) Berkeley Rep's dualities in 'Party People:' reolutionaries and entertainment.
-- (THEATER) Toibin's one-woman show 'Testament,' with differing perspectives on Jesus and Mary. At ACT.
-- (NEW MUSIC) A huge undertaking in significant new work, with Berkeley and S.F. collaborating. But is any one listening??
-- (MUSIC THEATER) Britten used 15th-century music and theater in "Curlew River"---and made it feel modern.
-- (SYMPHONY) Seeking consolation: Dvorak's "Stabat Mater" with Czechs in Berkeley.
-- (OPERA) Puccini's "Tosca" back at the S.F. Opera with a stunning new Armenian soprano.
-- (SYMPHONY) S.F. Symphony takes a stab at an inflated ballet, then revels in Mozart with Gil Shaham's violin.
-- (SYMPHONY) SF Symphony's Mahler 7th, ready for a great tour too.
-- (DANCE) Berlin company of Sasha Waltz baffles, stimulates, improvises in 'Impromptu.'
-- (SYMPHONY) Pianist Garrick Ohlsson goes for nuance, showing that the 'Rach 3' is no mere empty virtuoso vehicle.
-- (CHAMBER) The versatile Kronos Quartet, in ethnic, vocal and world music written by women. At Stanford.
-- (THEATER) ACT's 'Old Hats' with Bill Irwin offers clowns, laughs galore.
-- (THEATER) 'Ideation' is a bold venture: comedy with a very dark side. At the S.F. Playhouse.
-- (OPERA) The popular modern opera-tragedy of the heartland 'Susannah' takes wing with Patricia Racette in the title role.
-- (THEATER) Workshop environment, but high drama: SFPlayhouse in Rossi play.
-- (SYMPHONY) The rich Glanert pallette rings down the Cabrillo Festival finale resoundingly.
-- (SYMPHONY) John Adams' Saxophone Concerto shows a less familiar persona at Cabrillo Festival.
-- (OPERA) For its centennial, an ingenious Stravinsky “Le rossignol,” interwoven with Mozart's “The Impresario.”
LINKS TO SIMILAR SITES AROUND THE COUNTRY---A consortium of independent sites reviewing live performances around the country promises painless linkage and free surfing. Interested? Click here!
Also, prominent West Coast entertainment writers have their own (rival!) web site now, featuring fresh columns on an almost-daily basis. Check out links.
Stay tuned for more every week!
Feedback time? Send comments to us to firstname.lastname@example.org via e-mail (We'd like to use them as appropriate in our column entitled "Reader Ripostes." Label your e-mail "letters to the editor" in the subject space).
Or by mail to: Paul Hertelendy, Coordinator and Webmaster, artssf.com, Box 1010, (note new box number!) Berkeley, CA 94701.
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Home-page illustration by Ann Hertelendy